Betsy Robinson

I came to the TV series Mad Men late. Although I'd heard about it from friends, it wasn't until a few months ago that I began borrowing the first three seasons from the library. I thought I'd be interested in it because of my background in advertising. My father was an account executive, my mother was one of the first female copywriters, and briefly toward the end of the seventies, I entered the family trade as a secretary and production assistant (material I put to good use in my novel Plan Z by Leslie Kove). But none of this prepared me for the kind of euphoric, sometimes shattering, shock I felt watching this show. (more…)

I’ve just finished reading The Holy Woman, the self-published third book of Susan Trott’s formerly commercially published “The Holy Man” trilogy. Like the first two books (The Holy Man and The Holy Man’s Journey), The Holy Woman is deceptively simple and charming. But what a complex story about our human drive to “get,” to achieve status or stuff, to win.

The book starts after the death of “the Holy Man,” a guy named Joe who everybody visited because they believed he was holy. Just before dying in a faraway country, Joe anointed Anna as his successor, but when she returns home, not everybody — including Anna — is so sure. After all, she is quite judgmental about Joe’s teacher, Chen, who runs a spiritual resort called Universe-city where he promises people immortality and seems to worship stuff.

Bad guy, right? … Not so fast. (more…)

Recently I’ve been experiencing a dilemma about how to react in many areas of my life, which tells me I should pay attention.

When someone takes what is not theirs — from a person, a people, or the planet; when someone denies a truth; when one person hurts another person, people, or the planet, what is the right response . . . or lack thereof? (more…)

Yesterday I bought 24 rolls of Marcal Small Steps® totally recycled toilet paper because it was on sale for $4.99 plus tax at Staples.com — with free shipping if you got it sent to a store where you’d pick it up.

I don’t know where I’m going to store 24 rolls of toilet paper, but Marcal is hard to find, I’ve been buying it since before recycling was popular, and I’m loyal to the brand. Plus which, it’s a whole lot better than the more popular recycled brands.

It really bugs me that Marcal had to change its name to Small Steps® and redesign its packaging and probably fire all its marketing people and hire new ones to try to compete with the eco-newcomers. It really bugs me that Small Steps® still isn’t carried in organic markets. It is unbelievably annoying that you can do something for 60 years and, when what you’re doing finally becomes popular, you’re still unpopular.

Which brings me to Meryl Streep. (more…)

It seems ridiculous that somebody would go to the trouble of creating art and then create work that is designed to please or be current or imitate somebody else who’s popular, but it happens all the time. That’s why gallery hopping with my artist friend, Ardith, is like finding treasure at the end of the rainbow.

We begin at the end of Manhattan’s West Side — 547 West 27th Street, a pretty rough part of Chelsea that is in the process of gentrification. As usual, the art community is already there amidst the blasting, construction, and street mess. But up one flight in the Ceres Gallery, a cooperative supported by and supporting female artists, there is a whole other world. We’ve come after seeing this fractured face in a story about sculptor Cynthia Eardley (Art Knowledge).

I don’t speak “artspeak” (you can click on the links for that), so suffice it to say, I take one look at Eardley’s fractured but exquisitely beautiful sculptures and I feel something deep — what, I suspect a whole lot of people are feeling these days — broken, but hanging together as best we can.

I suspect everybody feels some aspect of what Eardley communicates in her hand-modeled, resin-cast portraits. She tenderly displays everything we try so hard to hide — with clothes, manners, and civilized behavior. But the word “suspect” is a lie; I “know.” I know we all feel these things because I have spent so much time in so many places where large groups of ordinary people come to find out who they really are. And, in my experience, when people tell the truth, it turns out we are all equally fractured. (more…)

I first heard Krishna Das, a kirtan (yoga chanting) leader, in early 2001 when he sang in a scene in the documentary Ram Dass: Fierce Grace. I reacted viscerally to the sound of his voice. I simply had to find out who this guy was and hear his sound again, so I bought his CD Live on Earth. Even though I’d experienced sudden heart-openings (aka meltdowns), I felt like a maniac listening to this music. Every time I started to chant, I’d erupt in spasmodic sobs. After a couple of weeks of this, I emailed the guy, and was thrilled when he wrote back: he was going to be singing at a downtown yoga studio and I should feel free to come. I have been hooked ever since. So when I heard he had a book coming out this month, I got a copy.

The worst thing about Chants of a Lifetime is that you can only read it for the first time once. (more…)

I’ve got a cold. The world’s worst cold, to be precise. I’m hacking, spitting, and I feel as if I’m ten feet under water. What better time to read a book about consciousness? My brain is already exploding. My thoughts and ideas bore me to tears, so dropping them and saying to myself, “What if this is true?” has been a relief.

The book I’ve been reading requires nothing less. Shapeshifting with Our Animal Companions by Dawn Baumann Brunke (Bear & Co., 2008) is categorized as New Age/Nature because it is about people’s spirits, animals’ spirits, plants’ spirits, and all spirits sharing information and, ultimately, being one consciousness. But the categories of New Age and Nature are limiting in a way that is false — the same way our notion of separate consciousnesses for dogs and trees and rocks and people is false, according to author Brunke. (more…)

The other night on PBS News Hour, computer scientist and author of You Are Not a Gadget, Jaron Lanier, bemoaned the fact that the Internet has birthed cyberfill (read as “landfill in cyberspace”). “Consumer identity got the best of people,” he explained. “And everybody just wants things for free. And that’s created this strange kind of cheapness to everything, where everything becomes throwaway.”

Recently I’ve imbibed (and that is the right verb) two works of art that are so full, so deep, so imbued with human spirit, so un-cheap that I believe they will linger inside me forever. They are extremely different — a movie and a CD — but they share the same courage. Nowadays it takes courage not to toss off throwaway or sensational material, but instead to quietly linger. When you linger over a face or a story or a tune, you expose it, and for it to stand up under such scrutiny, it must have soul.

There is not one throwaway second in A Single Man, the debut film of director Tom Ford, a fashion designer who had to finance his vision himself. Based on the novel by Christopher Isherwood, the movie is the opposite of throwaway fluff, and actor Colon Firth, the main subject of the camera’s lingering lens, deserves every second of scrutiny.

A Single Man is the story of George Falconer (Firth) a gay English professor who, in 1962, leads “an invisible” life. Unrecognized by even the family of his partner of 16 years, he is briefly notified of the man’s death and then told that “only family” will be attending the funeral. It is this excruciating, largely wordless scene which demonstrates tour-de-force lingering — and it brings me to tears just to think about it.

Nothing in A Single Man is forced. Not the action, the characters’ choices, the emotions. Ford has directed to the metronome of his own lingering heart: the color, the camera angles, the music — oh my God, the music! (by Abel Korzeniowski) — feel like a heartbeat, and feeling our common heartbeat, how can we not love everyone?


Acoustic guitar player and singer Eric Bibb is another artist who is not afraid to take his time. After “meeting” and playing Delta blues legend Booker White’s steel-bodied guitar, he was inspired to write a song that became an entire album, Booker’s Guitar (TEL-31756-02, releases January 26).

Imagine taking a slow stroll, or rocking on a porch swing, or sitting at the feet of your elders listening to stories. That is Booker’s Guitar. In an easy, gritty, timeless voice, 58-year-old Bibb tells stories that linger and hypnotize in such a way that you find yourself spontaneously rocking, feeling instead of thinking, just taking it in.

This whole album makes you breathe, smile, and rock — whether it’s the song “With My Maker I Am One,” with its assertion that “I am the doctor … the junkie … the champion,” or “Flood Water” about a flood in 1927 that sounds eerily like the Katrina debacle, or “Rocking Chair” that beckons someone to “set down” and “just rock,” or “Turning Pages” where Bibb declares that reading books (a shamelessly time-consuming activity) is the foundation for everything he knows.

Thank you, Tom Ford and Christopher Isherwood, Eric Bibb and Booker White! Perhaps there is still hope that the lingerers of the world will survive — even in this digital age — perpetuating the wisdom of those who have gone before them.

About 12 years ago, I discovered Light of Consciousness magazine and ever since I’ve been a fan. The magazine’s staff is volunteer and they work in a place called the Desert Ashram in Tucson. Founded 22 years ago by a guru named Swami Amar Jyoti, Light of Consciousness publishes quarterly and is sold at newsstands. And in case you’re assuming that a magazine made by volunteers in an ashram follows some kind of doctrine or is even cultish, I’d like to assure you that this is not the case. (more…)

“So how do you know the difference between going with the flow and letting yourself drown?” writes author Eileen Flanagan in her new book, The Wisdom to Know the Difference (Jeremy P. Tarcher/Penguin, Sept. 2009). “One answer is to see if what is flowing within you matches the direction of the current around you. You have to pay attention to the cards you are being dealt.”

There are so many good things in this book that I almost don’t know where to begin. But perhaps the best thing is the topic.

Last year, after about 25 years of researching self-change modalities, as both a seeker and a journalist, I wrote an article about the necessity of interrupting the embedded neuronal patterns behind our self-sabotaging behaviors and beliefs. In the introduction to the article, I referred to the power of the Zen master’s thwack, and the editor of the magazine that published the piece decided to use “Thwack” as the title, along with an illustration of a therapist about to throttle an unsuspecting man with a rolling pin. Although it made a snappy and commercial cover line, this title inadvertently portrayed as acceptable what I believe is most dangerous about the new confrontational methods of change and many of the groups that practice them. The trouble with thwacking is that if it’s done by anyone who is not a Zen master or an experienced healer, and if it is delivered without a sense of nuance, devoid of love and compassion, and if the thwack is dealt to a person who is not ready to receive it, it is brutality. And it can even re-traumatize a person rather than help. (more…)

I suddenly realized that my unemployed lulls are a great time to read the “I’m-gonna-read-that-someday” pile. Here are a couple of interesting facts from two sources in that pile: (more…)

Since I finished writing a new novel, I’ve been down. It’s the contraction that inevitably follows the expansion of creative emission, I tell myself. Or maybe it’s the fact that my agent says that nobody’s buying fiction, no matter how good or well-written or funny it is. Or maybe it’s the purple vertical pinstripe that appeared this morning on my computer monitor, that I’m told is the beginning of a pinstripe cancer that will render my screen unreadable. Whatever it is, I am down and depressed and feel like wallowing. “Why?” I rail at the universe, sounding like a middle-aged Nancy Kerrigan. And that’s when the Moth Radio Hour comes on. (more…)

Theo Kamecke lives alone in and on five acres of breathtaking art in the Catskill Mountains. The man simply must create art — whether it’s a garden, a home furnished with handmade everything, a meal for guests, or a log bench overlooking a roaring, foaming brook so powerful that it could sweep you to your death in a nanosecond.




In his barn-size studio, Theo makes sculptures, wall pieces, and functional art objects from the collection of electronic circuit boards he began accumulating forty years ago for no reason other than he thought they were beautiful. With patterns that look like hieroglyphs and names like Nefertiti and Isis and Manifest Destiny, his child-size treasure chests and majestic pyramids, cabinets and jukeboxes, tables and wall plaques feel simultaneously ancient, familiar, and futuristic (see TheoKamecke.com). “I like to understand how things work,” he says, to explain what drives him.

So it makes sense that he would create a poetic, totally unexpected documentary about the first moonwalk. It makes sense that this chain-smoking seventy-two-year-old would choose to see such an event through the eyes of all humanity, rather than focus on the personalities of the astronauts and the hype that a younger filmmaker might choose. But what’s surprising is that Theo made his award-winning documentary with the eyes of a seventy-two-year-old at the age of thirty-two.

Forty years ago, six months before the launch of Apollo 11, NASA called. “Do a time capsule,” said the head of their PR department. The result is a visionary film called Moonwalk One that has just been restored and remastered as a two-DVD “Director’s Cut” that includes a stunning explanation from the seventy-two-year-old illuminating the thirty-two-year-old’s birthing process. For Theo, this event was about much more than a walk on the moon. It was about our culture and the millions around the globe who gathered in front of TVs, the thousands of campers who made the pilgrimage to Cape Canaveral even though TV offered a closer view, the half-million people who made the launch happen, and the three billion earthlings who went about their daily lives unaware of the event. “They were involved even though they didn’t know they were,” says Theo. “They were the same humans.”

With a film score by conceptual composer Charles Morrow that sounds contemporary — sometimes spine-tingling, sometimes unexpectedly sacred … or silent — the film makes you feel as concerned today for the astronauts’ welfare as were the motherly sewers who stitched their spacesuits: “When they’re up there in space, you know what parts you’ve worked on and you just say, ‘I hope that part don’t fail because I’d feel it was my fault if it did.’”

Bracketed by scenes of Stonehenge, the film takes off with the violent launch of Apollo 11 on a roaring, fiery tail of pure power that could incinerate you in a nanosecond, and lands with ticker tape parades — presenting the events in the wide-angle context of our common search to understand who we are, what we are, and where we are on this “fragile bubble of life, afloat on a sea of nothing.”

“It was a moment sensed more than understood,” wrote the thirty-two-year-old filmmaker.

“I realized that in order for this film to be effective, the audience now or fifty years from now or three thousand years from now has to understand what’s going on,” says the seventy-two-year-old artist. “If they don’t understand what’s going on, they can’t absorb the poetry of it.”

“Hallelujah!” shouted a man after the first movement of J.S. Bach’s Violin Concerto No. 2 in E Major, played with simultaneous passion and heartbreaking sweetness by Lara St. John.

Hundreds of us felt the same as we listened, spellbound, to the first of this season’s free concerts at the Naumburg Bandshell, arguably the heart center of New York City’s Central Park. As dusk gave way to night, the violins soared and so did two ducks, taking in the concert from their bird’s eye view. The audience swayed, breathing in Linden tree perfume as sweet as 104 years of truly free music — the gift of a haberdasher turned banker named Elkan Naumburg who began financing the concerts in 1905, and, in 1923, created the present-day bandshell with its perfect, unamplified acoustics.

I arrived at the bandshell with my little dog, Maya, at about 7:20. The concert began at 7:30. There was no admission charge, no line to pass through. There was nobody who said, “You can’t bring a dog to this concert.” The bandshell is a place where all beings are free to assemble. I took a chair. Maya took another. People smiled at us. There were free programs and even free CDs for children at intermission. The musicians, too, were free. They played with relaxed arms, standing and swaying like one body in the cool breeze. Maya laid her head on the leg of the man beside her, and without looking at her, he submitted to her love.

As night fell, flutist Andrea Griminelli explained to the audience that Bach’s Orchestral Suite No. 2 in B Minor was very long, so it might be best if we held our applause until the last movement … and then he demonstrated our cue.

The final piece was sublime — The Knights orchestra along with virtuoso siblings Lara and Scott St. John playing Bach’s Concerto for 2 Violins, Strings and Continuo in D Minor — closing the first evening of the oldest continuous free outdoor concert series in the United States.

And to think that all this might have been destroyed. The story of the bandshell’s survival is the story of a seven-year David and Goliath battle. In 1993, Christopher London, the great-grandson of Elkan Naumburg, took on the Central Park Conservancy and the New York City Parks Department, foiling their attempts to demolish the bandshell. The agencies’ reasons for the destruction were many and ran from the bizarre (unamplified music was outmoded) to the more bizarre (an antipathy to freedom of assembly; no good could come from just anybody — even homeless people — sitting down to enjoy music).

Last night, hundreds of us not only sat down, but we did so amiably with only the trees and the cityscape against the moonlit heavens as housing. And after the concert, hundreds of us rose en masse, still savoring the music, and strolled home peacefully. This is freedom. Now why is that so scary?

The next concerts will take place Tuesdays, July 7, 21, and August 4. For more information, go to NaumburgConcerts.org.

It’s another soggy day in New York City, so it seems appropriate to talk about my posture. I have lousy posture. I slump with my chin out and up like a turtle and, since I’m very flexible, I have a tendency to sit with pretzel legs. I also have a big, ugly lump on the back of my neck which has alternately been explained as a sign that my spiritual center is connected or that I have an energy block. I believe it’s due to my lousy posture.

Because it is raining today and I’m having such a difficult time remembering to sit upright, it seems appropriate to also complain about my allergies. I recently discovered that I am allergic to my tomato plants. Not the tomatoes, but the Deadly Nightshade leaves that smell so good but make my eyelids swell like over-sized shrimp. My tomato plants live on my neighbor, Nurse Mia’s, terrace because my building superintendent kicked them off our roof. Nurse Mia is the one who diagnosed my tomato plant allergy, so the last time I pruned, I suited up with swimming goggles, a surgical mask, and latex gloves. (more…)

Last night I watched Sicko, Michael Moore’s documentary about our health-care system. A guy at the grassroots Health Care Organizing Kickoff meeting last weekend referenced it a few times, and since I missed it when it was in theaters, I got it at the New York Public Library. This required asking for it, receiving an email when it arrived at my local branch, strolling over, showing my library card, and walking out without paying any money. This is because the public library is a government-funded social program, allowing even unemployed people like me access to free information. It seems to work awfully well.

A block up from my library is my local fire department. They are a government-funded social program that seems to work awfully well.

Last weekend, a guy on my block had a very loud party late at night. I dialed 311 and a courteous government-paid employee took my noise complaint and dispatched a member of our socialized law enforcement department to quell the din. It worked awfully well.

I’d thought Sicko was going to be a diatribe about our lousy heath-care-if-you-can-afford-it system, and I was quite surprised to see that the majority of the film showed compassionate doctors and satisfied patients in France and the UK and Canada. When asked how much money care cost, they either laughed or looked befuddled and then responded, with polite horror, that they wouldn’t want to work or live in a system that allowed people to die if they couldn’t afford to pay.

Although it seems like yesterday, many years ago my beloved hometown switched from subway tokens to Metrocards. Lots of New Yorkers said that the change was too big; it wouldn’t work. We survived it quite well.

Today our entire nation is switching from analog TV to digital. I’m guessing we’ll survive it.

Socialized medicine, a one-payer plan, compassion for all human beings — whatever you want to call it, I have a sneaking suspicion we could survive it very well.

P.S. What if the fire department asked for a credit card before they would come put out a fire?

What if we got a bill from the police department after we were rescued from a mugging, and when we protested the amount, we were told "Well, you didn't have pre-approval; had you notified us ahead of time, we would have covered half the fee."

Now in that context, consider that when we call for an ambulance, we are then presented with a bill, and if we protest it, the insurance company, which requires preapproval, says ...

I’m living on unemployment at the moment, so I’m consuming a lot less than I used to. And that means I think a whole lot about what I’m choosing to consume. Below, for my own gratitude and ventilation, are some Rants & Raves. Feel free to add your own in comments:

RAVE: Staples Stores
I got a whole ream of recycled paper today, free with the coupon I received for recyling ink cartridges. I was worried I’d only be able to buy more ink, but no — you can do the right thing and actually get something you need with the recycle benefit.
Not only that, I thought Staples only recycled ink cartridges and batteries. Did you know they also take electronics? I’ve got a busted computer adapter and cable that Hewlett-Packard was going to charge to me return for recycle. I can just drop it off at Staples. Not only that, but the Staples employees look you in the eye when they talk to you and treat you like a human being. (more…)

I didn’t watch American Idol this season, so I didn’t understand my friend’s feelings when she first emailed and then phoned about her despair that a young singer named Adam Lambert hadn’t won the competition. She described the moment when the public declared another singer (Kris Allen) the winner as “being hit by a wrecking ball.” She understood neither her despair nor her compulsion to listen to an online recording of Lambert singing “Come to Me, Bend to Me” from Brigadoon (Alan Jay Lerner and Frederick Loewe).

My friend is a mature woman — a sixty-year-old psychologist, to be precise. She is not a person who normally cares about pop singing competitions or even watches them. But something had compelled her to turn on American Idol, and when she heard the voice of Adam Lambert, she was transformed. (more…)

I’ve been kind of blue this week. Actually, that’s inaccurate. I’ve been red — beet red with eyelids that look like obese shellfish — but blue is more descriptive of my mood. A red mood sounds angry. I haven’t felt angry. I just enjoy vision. Apparently swelling up like a prizefighter after a really bad night plus a nasty rash is my new reaction to tree pollen. Although I could barely open my eyes, I decided it was a good time for reading, and my friend Liz from the greenhouse had recommended Alexander McCall Smith’s The No. 1 Ladies’ Detective Agency. (more…)

I’ve been thinking a lot about who we are as a species this week. Endless days of rain and unemployment have that effect on me. The last time it rained this way, I went to the American Museum of Natural History where I stared for a long time at this lovely 3.6 million-year old Tanzanian couple out for a stroll and frozen in time in the Anne and Bernard Spitzer Hall of Human Origins. At the end of the exhibit, there’s a plaque on the wall that says:

ARE HUMANS STILL EVOLVING?
In this era of global travel and interconnected societies, we no longer have small, isolated populations evolving in different directions, as was the case earlier in human evolution, helping to drive the emergence of new species. The human genome continues to change in minor ways, but under present conditions a new human species more than likely will not emerge. (more…)

In this time of risk-taking based on promises of exorbitant returns from precarious investments, what could be more timely than the tale of growing up in a community where everybody has surrendered all decision-making and self-responsibility for the promise of divine protection and maybe God realization?

In her riveting, sometimes heartbreaking, often hilarious memoir, Cartwheels in a Sari (Harmony Books, April 14, 2009), Jayanti Tamm recounts how her parents, like so many people who came of age in the sixties and seventies, met a guru after years of spiritual seeking. So moved were they by the experience that they didn’t question his direction to marry each other — despite the fact that they’d just met. They did, however, flaunt the directive to remain celibate. (more…)

It may seem paradoxical that reading about panic attacks due to overwhelming professional success and an abundance of work is calming to a person who’s been unemployed for months and battered by the recession, but that was my experience reading Mary Pipher’s new book Seeking Peace: Chronicles of the Worst Buddhist in the World. It may seem counterintuitive that reading about a big, warm circle of supportive family could make a person whose family is mostly dead feel hugged, but, again, that is the case with this simultaneously comforting and entertaining book about a bestselling writer’s meltdown and recovery. (more…)

After 38 weeks on the New York Times Best Sellers list and much discussion at Oprah’s Book Club, The Story of Edgar Sawtelle hardly needs more talk. So the end. No more words. No more discussion about this remarkable epic.

However, there’s something else. Something even more remarkable to discuss. It has to do with how many people are choosing to read this 562-page novel. In this day of multi-tasking, twittering, and twaddling, millions of people are setting aside days on end to disappear into the holy quiet birthed by this story. (more…)

Teachers of self-actualization often use an exercise where you stare into another person’s eyes for a long time. If you’re not used to it, your eyeballs can go spastic. If you’re practiced at the exercise, all kinds of things can happen: Sometimes the person in front of you morphs. Their face literally changes so that it becomes like watching a special effects movie.

Listening to jazz singer Tierney Sutton’s new CD, Desire, is something like this. (more…)

Imagine putting the palm of your hand on a hot stove burner. Probably the idea makes you wince. Well, imagine if doing something — anything — destructive, vindictive (even if it seemed merited), or harmfully selfish evoked the same wince. And suppose that wince made you alter your behavior such that you were only capable of acting compassionately. (more…)

As managing editor for a national magazine (a job that was downsized away just in time for Christmas), I looked at a lot of books for possible excerpting. Not long ago I received one that claimed that the nature of the Spirit is not fearful, confused, resentful, weak, or overwhelmed, but instead it is powerful, vital, fearless, content, and compassionate. That sounds awfully nice, but I found myself wondering how the author knew this. He started out by saying that, per Genesis, we are created in the image of God. Well, my image and the images of everyone I have ever met (including a whole slew of spiritual teachers) include fear, confusion, anger, etc. So why aren’t those qualities as much a part of our essential nature as all the blissful stuff?

I prefer a notion of spirit with a small “s.” This spirit lives inside all of us, and it is beautifully described in a book called It’s Only Temporary (Riverhead, 2008) by actor/author Evan Handler. A chapter titled “I Don’t Know” states our plight so nakedly:

“I am fascinated by our conundrum as humans living on planet Earth,” writes Handler. “I’ve said to friends, probably more times than they’ve wanted to hear, ‘We live in outer space. Do you know that? Can you believe it? We live in outer space.’ It’s a crucial thing to remind myself, because it justifies and enhances my choice to remain committed to philosophical non-commitment. We do not know where we live. We have no idea of our own address. . . . we have no idea what substance contains us, where it came from or where it’s headed, if it has a purpose or what it might be, how it started, or how long it will last.” (more…)

Knock, knock.

Who's there?

It's the self-proclaimed "head honcho" of a company called KnockKnock.biz that has created, among other things, "The Self-Hurt Series" of books (How to Traumatize Your Children, How to Get Fat, How to Have an Ill-Behaved Dog, etc.), The Savvy Convert's Guide to Choosing a Religion ("Get the Best Faith for Your Buck! 99 Religions to Choose From!"), and a self-diagnosis guide for hypochondriacs titled The Complete Manual of Things That Might Kill You. In the tradition of all great tricksters and contrarians, Jen Bilik has approached self-help and spiritual seeking by turning everything on its head — creating a body of work that is not only laugh-out-loud hilarious, but so thoroughly and seriously researched that if you simply do its opposite, you may end up healthy, happy, and very well-informed.

"I am a pricker of sacred cows," says Bilik, who actually loves self-help books and is committed to a path of self-awareness. "But so much in this arena is so earnest! And there's a lot of Kool-Aid drinking going on. I believe that the dark side of self-help is that it makes us feel like we're supposed to be perfect: If we read this book and we're told how not to obsess, how to love ourselves and our bodies, if we're told those things and they don't result in lasting change, we feel guilty. I feel like it's the corollary to women's beauty magazines which set a standard that none of us can attain. The self-help standard is perfect balance and happiness."

Along with a team of researchers and editors, Bilik decided to deal with the inevitability of mistakes by instructing us how to consciously make them: "If you want a child who can't do anything for him or herself and will have to depend on you into his or her fifties, how do you get there? We'll tell you!" she says with a grin.

Who buys this stuff?

Says Bilik, "I believe it's the same people who buy self-help books. People who are tired of feeling like they have to be perfect. People who have senses of humor about their core endeavors. It's also an acceptance of the truth." She reaches for a box. "My therapist loves these," she says, handing it to me: Therapy Flashcards: 60 cards for maximum psychobabble that promise to make you "sound evolved even if you're not."

“Do you have some kind of really cheap service where I can pay for incoming calls only?” I queried the friendly Verizon customer service woman after holding for a quarter of an hour. She seemed perplexed and said there was no such option, and had I not found my exorbitantly expensive unlimited plan, plus 3-way calling, unuseful? (All right, she didn’t phrase it exactly that way.)

Because I felt as if she was really interested, I explained that I’d been downsized out of a job being the hub of a virtual office, and I no longer required such services, plus which, I’d now purchased a magicJack at my local Radio Shack. (more…)